Why use cubase

Cubase LE is the perfect entry into the world of computer-based music production and offers powerful, yet easy-to-use software tools for all genres. Cubase LE is ready to meet the demands of high quality songwriting and production projects. Offering up to 16 audio tracks, up to 24 MIDI tracks for external instruments and up to eight instrument tracks for virtual instruments, Cubase LE has enough power to record as many as eight audio channels simultaneously.

Exporting stereo mixes as MP3s is also possible. Cubase LE offers outstanding composition tools for your music creation, no matter how much musical knowledge you have. There are many DAWs on the market, each one with its strengths and weaknesses.

I personally love Cubase, and I think that there are many reasons why Cubase could be the best choice for beginners to start making music. I will list some of them below. Cubase is an industry-standard — awards winner DAW Digital Audio Workstation Whether you are a novice or a pro or anything in-between , you'll find lots of people using Cubase.

It will be easy to collaborate, exchange projects and presets, find support on forums and blogs. There are various versions of Cubase, from the freebies Cubase LE or AI to the powerful Pro version You don't have to buy an expensive version of the software to get started; you can even begin without spending anything Cubase LE or AI is included, for example, by purchasing any Steinberg sound card or many Yamaha products.

You can learn the basics within the LE, AI, or Elements versions and then upgrade to the Artist or Pro version if you need the more advanced features. You'll find the same environment in each version. You won't have to waste time learning a beginner's DAW, to later move to a professional one.

Same workflow, same basic structure, just more functions, effects, and sounds as you move to more advanced versions. Pro Tools- excellent for audio editing and mixing along with post work- lots of studios use so collaborating usually is pretty seamless- not as much on composition side- Studio One- SNAPPY, fast, efficient, controllers work well- integrating a nice balance of midi, mixing, audio editing, ARA 2 types of features.

Very stable and CPU efficient lately. Some of the midi stuff is a little less intuitive to me. Logic Pro- great built in content, fairly straightforward to use- Drummer in conjunction with arrangement markers is amazing- a little clunky on the editing side- sometimes a little buggy.

Works great with iTunes export. Creative possibilities galore- very easy on the eyes. Lacking some basic features like navigable markers, multi-track phased locked editing, etc Cubase Pro- It seems so far that Cubase appeals to composers and people who work primarily with virtual instruments. I also like the concept of mixer snapshots a lot.

I am not seeing where the Console 1 works with Cubase at all- I can't locate the VST 3 version of console 1 in Cubase- I will look into that Anyway- what would you say Cubase's claim to fame is? My Studio. The first thing is : what are you looking for in a new host? I ask this, because you are already using four ones. After this, and since you asked, what I specifically like in Cubase are these : - The clear separation between audio, MIDI, instrument tracks, sampler tracks and all the other ones.

Could seem like a mess at first, but it truely helps, especially on big projects. I've been able to start several projects, thinks to this one I use all the time two GR definitons with my controllers. I would never have said that six years ago And the last update This, with a considerable less ASIO usage. At the end, it seems even more stable than the 6. I can't talk about There are other ones the input tracks, the score functions, etc.

I made a kind of switch during five years with Reaper, disappointed by Cubase 7, and ended up purchasing Cubase 10 nine months ago : glad I did, as I never been able to get a workflow such as Cubase one with Reaper. And life is short Another audio editing feature that gave Ableton all the hype is its warping feature. This feature allows you to time-stretch parts of the audio. But why is this useful? It allows you to match any audio to the tempo of the project you are working on.

It also allows you to quantize audio to the grid. This is particularly useful for correcting the mistakes of a bad musical performance. One of the reasons why EDM and hip-hop producers love Ableton is how easy it is to chop samples in the audio editor.

Once you load a sample in an audio track, you can chop it up easily into a Drum Rack and trigger the chopped samples with a MIDI controller or keyboard. Double-clicking audio in Cubase will open it in the audio editor, and you can edit however you want from there.

Cubase also provides a complex time warping feature in Cubase Pro, allowing you to quantize audio and time-stretch specific parts of the audio.

Chopping samples in Cubase is also very easy. Automation is the number one feature in any DAW that allows you to add dynamic changes to a song. These days, automation has become a necessity in most genres, especially EDM. Automating in both DAWs is quite straightforward, to be honest. Cubase is, however, one step ahead.

Pressing A on your keyboard will activate Automation in Ableton. Almost every button, knob, or fader in Ableton can be automated. To automate a parameter, you simply click on it once.

Its automation curve will be shown on the track in Red. From there, you can draw in your automation curve. You can also record automation by manually controlling the knob while recording. Another exclusive feature in Ableton is Macros. With macros, you can assign multiple knobs to a single macros knob. Once you automate that single macros knob, all of the assigned parameters to that knob will automate as well. The macros feature is very useful when performing live with Ableton.

DJs are the ones who usually make use of this tool to add multi-effects to audio with one knob. When it comes to automation, the downside of Ableton is automating MIDI parameters such as modulation and pitch bend is not as intuitive.

Automation in Cubase is also quite easy, but not as simple as it is in Ableton. Similarly, you can record automation in Cubase by manually controlling the parameter with a MIDI controller or mouse. Unlike Ableton, you can add automation lanes for midi parameters such as modulation, pitch bend, and more in the MIDI editor.

This makes it effortless to automate these parameters very fast without menu-diving. Cubase is the clear winner when it comes to mixing and mastering. Here is why. However, if you want to mix in Ableton, I highly recommend you get the Suite edition. To add audio effects to any track, you simply drag the effect and drop it on the track. This is quite helpful because it saves you a ton of time with routing tracks in a mixer.

And most beginners get confused with audio routing pretty fast. Scrolling through hundreds of tracks during the mixing process can be time-consuming. You get 47 audio effects with Cubase Elements, 60 audio effects with Cubase Artist, and 79 audio effects in Cubase Pro. These are more than enough audio effects to fully mix and master an entire song in Cubase.

And Cubase stock audio effects are incredibly good; you may not have to buy any external effects once you master them.

This is one of the biggest benefits Cubase has over Ableton.